We pass under the famous archway inscribed “Abandon All Hope…” into Hell—or its vestibule, at least. Before the River Acheron, a mob of 'neutrals' mingle with the angels who took neither side during Satan's Rebellion. Neither dead nor alive, they're ignored by Heaven, Hell, mortals, & even Virgil. Their indeterminate identity even extends to their allegorical emblem: a blank standard. At the river, an old man whose eyes glow like coals snarls at Dante, confused by his living body. It's Charon, the ferryman of Greek myth. Dante faints at the sight, so he's unconscious when he enters Hell itself.